To view (Flamenco: The Musical
Documentary by Carlos Saura) click here

Flamenco
is a genuine Spanish art, and to be more exact an
genuine Southern Spanish art. It exists in three forms:
Cante, the song, Baile, the dance, and Guitarra, guitar
playing. Gypsies are very often named as the creators,
and at least it can be taken for certain that they
played an important part in its creation. But also the
popular songs and dances of Andalusia have influenced
early Flamenco considerably. Certainly there were other
influences, too, as it will not surprise in a country
that has been dominated by most diverse cultures and
civilizations during its different historical epochs. .
The first time Flamenco is reported on in literature is
in the "Cartas Marruecas" of Cadalso, in 1774. Its
cradle most probably was where, between 1765 and 1860,
the first Flamenco schools were created: Cádiz, Jerez de
la Frontera and Triana (Seville). In this epoch Flamenco
dance started to have its firm position in the
ballrooms. Early Flamenco seems to have been purely
vocal, accompanied only by rhythmical clapping of hands,
toque de palmas. It was left to dedicated composers, as
Julián Arcas, to introduce guitar playing.
During its Golden Age
(1869-1910) Flamenco was developed in the epoch's
numerous music cafés (cafés cantantes) to its definitive
form. Also the more serious forms expressing deep
feelings (cante jondo) dates from then. Flamenco dance
arrived to its climax, being the major attraction for
the public of those cafés cantantes. Guitar players
featuring the dancers increasingly gained a
reputation. From 1915 on, Flamenco shows were
organized and performed all over the world. Falla, in
1922 organized a contest in Granada to promote
"authentical"
cante jondo. 1955 started a sort of Flamenco
Renaissance, the great performer Antonio Mairena being
its key figure. Outstanding dancers and soloists soon
made their way out of the small tablaos, successors to
the early cafés cantantes, to the great theaters and
concert houses. It was now that guitar players acquired
a great protagonism, and their playing arrived to
masterity. Actual Flamenco frequently shows influences
of other kinds of music, as Jazz, Salsa, Bossa Nova,
etc. Also Flamenco dance has changed, specially female
dancers try to rather showcase their temperament than
artistry.
The Flamenco guitar that
formerly was just featuring the dancers arrived to be a
soloistical art form, great virtuoso Paco de Lucia being
the pioneer of that development. Mass medias have
brought Flamenco to the world stage, but deeply it has
always been and will remain an intimate kind of music.
You have not listened authentically Flamenco if not in a
juerga with a small group of friends, at midnight
somewhere in the South of Spain, when there is nothing
around but the voice, the guitar and the body of a
dancer moving in the moonlight.
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